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U & I User community [UILIST] (listserv)
Click on the link above to visit our online user group. It's the place to share your ideas about all U&I products. U&I's Eric Wenger and Edward Spiegel are active participants and share news and tips. The email list features searchable archives so that it is easy to catch up on what you have missed or to find discussions of interest.

The UILIST has been responsible for a number of exciting projects: the MetaSynthia CD compilations, MetaCamp instructional workshop and much more.

Renderosity.com forum and gallery
Renderosity.com now sponsors an ArtMatic and ArtMatic Voyager forum and gallery. Click here to visit it.

MetaSynth Tips And Tutorials
Harness all your software's power.
FAQs
Frequently-Asked Questions. A good place to start !
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Goodies

"Steven Lareau" <lareau@icx.net> from Hilltop Design send us some nice anagrams of MetaSynth :
A Sent Myth
A Test Hymn
Mynah Test
Am Tent Shy
Man The Sty
Them Nasty
Ant Smythe
Natty Mesh


"Wenger's MetaSynth" turns up some interesting goodies too... like :
A Meg Strewn Net Shy
Sergeant West Hymn
Strange Hymen Stew (LOL!)
Gates Hymen Strewn

And the best of all,
Strange Sweet Hymn

Have a go at it yourself : http://www.wordsmith.org/anagram/


Conrado del Rosario sent me some MUSICIAN JOKES From: d@rolla.net (drolla)

>Q. How do you get two piccolos to play a perfect unison?
>A. Shoot one.

>Q. What's the definition of a minor second?
>A. Two flutists playing in unison.

>Q. What's the difference between an oboe and an onion?
>A. No one cries when you chop up an oboe.

>Q. What's the difference between a bassoon and a trampoline?
>A. You take off your shoes when you jump on a trampoline.

>Q. Why did the chicken cross the road?
>A. To get away from the bassoon recital.

>Q. Why do clarinetists leave their cases on their dashboards?
>A. So they can park in handicapped zones.

>Q. What's the difference between a lawnmower and a soprano sax?
>A. You can tune the lawnmower, and the owner's neighbors are upset if you borrow the lawnmower and don't return it.

>Q. How do you make a chain saw sound like a baritone sax?
>A. Add vibrato.

>Q. How many trumpet players does it take to change a light bulb?
>A. Five. One to handle the bulb, the other four to tell him how much better they could have done it.

>Q. How do you make a trombone sound like a French horn?
>A. Put your hand in the bell and miss a lot of notes.

>Q. What's the definition of a gentleman?
>A. Someone who knows how to play the trombone and doesn't.

>Q. What's the range of a tuba?
>A. Twenty yards if you have a good arm.

>Q. How can you tell if a violin is out of tune?
>A. The bow is moving.

>Q. Why is a violinist like a Scud missile?
>A. Both are offensive and inaccurate.

>Q. How do you know if a viola section is at your front door?
>A. No one knows when to come in.

>Q. What's the difference between a violist and a dog?
>A. The dog knows when to stop scratching.

>Q. How do you get a violist to play downbow staccato?
>A. Put a tenuto mark over a whole note and mark it solo.

>Q. Why are violins smaller than violas?
>A. They are really the same size. Violinists' heads are larger.

>Q. What's the difference between a cello and a viola?
>A. The cello burns longer.

>Q. What's the difference between a cello and a coffin?
>A. The coffin has the corpse inside.

>Q. Why are orchestra intermissions limited to 20 minutes?
>A. So you don't have to retrain the cellists.

>Q. What's the difference between a soprano and a Porche?
>A. Most musicians have never seen a Porche.

>Q. How does a soprano change a light bulb?
>A. She just holds on and the world revolves around her.

>Q. What's the difference between a soprano and the PLO?
>A. You can negotiate with the PLO.

>Q. If you drop a conductor and a watermelon off a tall building, which will hit the ground first?
>A. Who cares?

>Q. What's the difference between a conductor and a sack of fertilizer?
>A. The sack.

>Q. Why are conductor's hearts so coveted for transplants?
>A. They've had so little use.


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